Showing posts with label Rhyming Poe. Show all posts
Showing posts with label Rhyming Poe. Show all posts

Friday, November 30, 2012

Led Zep's Houses of the Holy, A Continuation, Meaning Explained Part I. Sending his Brother Away

Click here for the lyrical poem, "And now Here Comes Michael Walking," that I wrote after listening to Led Zep's Houses of the Holy one too many times late one night when I was cramming for a final exam.

Lyrics Written by Ssal Nogard for Houses of the Holy Part Two and More
Led Zeppelin's Houses of the Holy


Some people comment that my writing isn't transparent on a first or second (or third read). Here is some explanation of the lyrics that I wrote (that go in time with Led Zeppelin's song), after hearing this song one too many times. After reading these comments and the meaning behind my new lyrics, it might make the reading a little more enjoyable.

After extending the story of Houses of the Holy, which isn't really a story but I made it into one from a few of the catchy phrases in the lyrics, the epic story-poem, call it whatever you want, kept telling itself, so to speak, or so to write.

And yes, I listened to the song the ENTIRE time I was writing the each chapter, which means that I listened to the song a lot!

Remember to read while you are listening to Led Zeppelin's song Houses of the Holy. The beat will make the story that much more fun and readable.

I would like to note that I do not enjoy reading "critiques" or "analysis" of literature before reading anything. However, I did need to read Einstein's notes on his Relativity (the version for the layman, which is really too heavy duty for the layman) and found them useful and necessary, and wished the Maestro had written more, more more! Einstein is Maestro II in my Princess Boo Stories. Maestro I is Newton (or the other way around, I forget).

If you are a Led Zeppelin fan as I am, you no doubt love, luv, l-o-v-e Houses of the Holy. The lyrics are copied below:

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Let me take you to the movies. Can I take you to the show
Let me be yours ever truly. Can I make your garden grow

From the houses of the holy, we can watch the white doves go
From the door comes Satan's daughter, and it only goes to show. You know.

There's an angel on my shoulder, In my hand a sword of gold
Let me wander in your garden. And the seeds of love I'll sow. You know.

So the world is spinning faster. Are you dizzy when you're stoned?
Let the music be your master. Will you heed the master's call
Oh... Satan and man.

Said there ain't no use in crying. Cause it will only, only drive you mad
Does it hurt to hear them lying? Was this the only world you had? Oh-oh
So let me take you, take you to the movie. Can I take you, baby, to the show.
Why don't you let me be yours ever truly. Can I make your garden grow
You know.


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Part I. Sending his Brother Away

I got the pic of Satan’s daughter standing in a doorway to a bordello in Reconstruction Era New Orleans (don’t ask me why New Orleans, maybe because the Orleans casino is a large Southern estate-like mansion on its façade.)

Reconstruction Era, for you furreners (j/k), foreigners, internationals who I love because all seven of you read my writing, lol, is the period in American history after the Civil War. The South went through a very rough period, as after President Lincoln was assassinated, the Northern Congressmen were unforgiving in their policies toward the South. Some would say the deep South deserved such punitive measures. Today, many reenact famous Civil War battles and fly the Confederate flag. (These are the states that voted very red in the election this month, btw.) Evidently, most people did not espouse Abraham Lincoln’s view that:

“I have always found that mercy bears greater fruits than strict justice.”

If Lincoln had said “punishment” in lieu of “justice” I think I might have agreed with him more, in light of the word “always” also being in there. I think he meant: with “strict administration of the law, justice is not always served because no law is perfect, being either too over-inclusive or not enough, and not being able to tailor judgments to every single situation. But we all get the point.

Anyway, and she’s standing there (Satan’s daughter, sorry for the digression), much like Mae West in “Diamond Lil”. But of course, she has to be waiting for somebody or somebody has to be passing by that catches her eye, or vice versa. Satan’s daughter, not Mae West, or maybe both. J or all three, Diamond Lil, too.

Who else but Michael, since he’s got his flaming sword in hand. So the story begins, and soon I found myself daydreaming about famous scenes from the Bible, that are well documented in gilded paintings on doorway panels in Byzantine and Eastern Orthodox Churches, as well as ornately carved panels in Western Cathedrals.

Part I, posted earlier, tells of Michael readying for battle with Lucifer, who was the original bad-ass archangel, bigger than Michael back then. When Lucifer gathers his host of angels that are willing to follow him into battle against God, God sends Archangel Michael, God’s new right-hand man, er, angel.

In the first part of this epic poem, Michael is readying for battle. He’s donning his chain mail (don’t ask me why angels need armor) over his wings (feather, not rainbow wings). His chain mail is a bit corroded and stinky because Michael never bathes, as angels need not. However, chain mail does need upkeep even if angels do not. After all those battles, the perspiration and blood, if indeed angels bleed or sweat, must take its toll on Michael’s armor and garments. Since angels are sinless (except Lucifer and those who went down with him), Michael doesn’t need to shower, so the joke here is that pure Michael might be a bit stinky (only something that people who are sensitive to the slightest odors would think about, Eew).

That’s also why Michael might feel a bit bland, as some philosophical schools of thought would agree that good cannot exist without evil, since there would be nothing by which to compare the former (or the latter). How do you know what is good if there is no bad? (Or the idea of “evil”?) Thus, badness is not such a bad thing and a necessity. In my epic story poem at least.

Gabs of course is Archangel Gabriel, the Bearer of Good Tidings since he appeared before the Virgin Mary to tell her that the child she was bearing was from God. That’s why he’s all happy and has bouncy curls (that was in an older version). Michael has salon-fatigued curls (later chapter) because he’s unsettled in mind and spirit for some reason, especially after seeing Satan’s daughter.

Looking out to heaven’s blue sky (which is never red, btw), Michael sees the approach of his brother Lucifer, which makes him sad, Michael, not Lucifer. For although the Bible and most fire-and-brimstone religions are black and white, I cannot imagine brothers who truly love each other being happy about killing each other and never seeing the other again. Although the Bible tells of God being sad that Lucifer was lost, the general tone of the Church is pretty cold towards Satan.

That’s what’s behind Michael’s “queer mix of love” for his brother Lucifer, as Lucifer, knowing heaven and sin is the only of the archangels to know (in the Biblical sense of having lived) right from wrong, to be distinguished from Archangel Michael, who knows in theory what is right and wrong but has only ever practiced “right”.

I correct myself: On this day, if heaven is measured in such terms, heaven does bleed with red, so I guess the skies must have been pretty purple (or maybe lavender since heaven is light blue. Actually, you would probably get a darkish reddish purple. Merely wishful thinking on my part since lavender is a happier color.)

Lucifer’s nickname is Luz (no, not in the Bible, in my story), which means “light” in Spanish. That leads into my reference to the morning star, Venus, which some would not approve as some do not believe that devils should be referred to as guiding stars.

I don’t care because this is my poem. So, crank up Led Zep’s Houses of the Holy and read this poem to its tempo. You’ll see it reads pretty darn well.

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On to Part Due.


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Sunday, June 17, 2012

Like Poe's the Raven? Check this out! It's "Dusame in the Mirror"



Edgar Allen Poe The Raven the Crazians Ssal Nogard Dusame in the Mirror Mitt Romney

Dusame in the Mirror 

   by Ssal Nogard


In a land deep of reflection 
stands a mirror of perfection.
In it sees the soul’s subjection 
clearly against all objection 
       hardened into stone. 

There sits a maiden, sometimes standing
all within her view commanding 
vast and wide an understanding 
       of sights seen in the glass.

Through the mirror fair she looks, 
stealing thoughts, akin a crook;
with a glance she never brooks 
       the edges of the glass.

This creature lady has a ken
that sees the ills within and when
she sees the ills it comes forth ten
       more thousand fold as hard.

The mirror looks for her instead 
of her own eyes, to which it fed
forbidden sights behind her--led
her to such things as she would wed 
       fastly to her eyes. 

But if a look into this glass
from any eyes besides the lass, 
of verdant hair and eyes that pass 
   the gleaming of the moon, 

Would see the same as in a plain 
made looking glass. And so contain 
nothing of the brass insane-
       ness thrashing to look out. 

Through days that spun of languid splendor 
Ceaseless grew her glassly wonder. 
Could not god and could not thunder 
take her glass and her asunder. 
      

~~~~~*******~~~~~*****~~~~~~~~~~~~~****~~~~~


Her sisters two at least as fair 
Gorgons both: the immortal hair 
that flamed by day and slunk through lair, 
by night, of green and serpent rare 
       The sisters of Dusame. 

They had the hair, they had the flame 
but never did they look the same. 
They’d not her eyes and could not blame 
     the shadows in the glass. 

Why so for one who sits and sees
by glass while two can look with ease 
at sights delightful as they please… 

For she was never on her knees,
and so she never could appease
her gods with prayer or small decrees
of sycophantish, squealing pleas.

For triflings none, she wanted ease
on par with that of this and these
immortals flying in the breeze.
But to the gods she paid no fees
and so she sits with their disease
       for never needing them. 

Thus, by day was changed a girling, 
solid skin and all-a-curling, 
hair that shivered, and a-pearling
       eyes that shone a shade of sterling,
Hardness more and hardness yearning
       bleakly for a break.

As such the mortal in her showed
no greater in her glass abode,
where all she sat and oft was told
of things not hers nor to behold.

Yet in the corner of her eye 
her sisters dance until they cry 
of things so lovely yonder high! 
and things so holy yonder nigh--
that from her lips she slips a sigh
       of things she cannot see. 


~~~**~~~***~~~~~~~~~~~~**~~~~~~~~~~~


They come to see the sisters three,
heroic with a certainty,
that in their curse they bear gladly
are free to wave most luridly
at suitors all who fast decree 
to slay the sisters famously.

It never ends this way, only
more turned to granite cruelly
not from fate but intensity
of finding more and differently.

Two steps forward, whistling lowly 
He has come to see the holy 
of the Gorgons, changing solely 
       at the break of eve. 

He sits to see the fair Dusame,
whose beauty deep is known by name.
Whoever so could win a claim
of sight and hair and so her tame,
yet live through such a ghoulish game
of sight, hair, and forbidden frame.

He catches sight far in the glass 
seductive lines and heinous mass
of things unseen, he lets it pass-- 
       those moments in her eyes. 

Her sisters smiling, sidling close 
to see their pilgrim and to boast… 
Instantly she turned a ghost 
       of shadows and of sighs. 

Dusame had seen him by the way 
and she had wanted him to lay 
his hand upon her---but she stayed 
and in her struggle did she sway 
       so that she nearly looked. 

Dared not to look, or even turn 
her body sick. A shudder yearned,
and in the instant that she spurned 
his call, it tripled her to burn
       still harder in the glass.  


~~****~~~*****~~~~~~******~~~~~~*****~~~~~****~~~~~


And when the sun spit shriveled rays, 
Her hair turned in a vastly maze 
of dark and emerald ablaze 
that met none of her awesome gaze-- 
        chimera called Dusame. 

And the mirror shines a clearer 
glow, and clearer with the sheerer 
lines of things outlined and nearer, 
made over big and over dearer 
       to the watcher called Dusame. 

How can she look and make him stone, 
her gaze that blights through look alone
from lightened eyes and depths they shone, 
       blazed into hard reflection. 

Looked through the glass but for a flash, 
He lifted sword and made to slash 
her slender throat a deep red gash 
       and saw her look away. 

She looked a look of guileless peer,
reflection and a window clear 
both of soul and desire dear. 
       She looked him through and back. 

He lowered blade and fought to spy
the wonder in the glassy eye 
but knew that look that would belie
the tendency to magnify 
       what was within the glass. 

“Your look is one of death,” he said 
and for this man would have your head. 
I cannot deviate my stead 
       fast intent to run you red.” 

“My look is death,” she said, “if only 
in your shadowed, dank and lonely 
crevices you speak--atone! Be 
       sorry--of things… ungod.” 

“Then all,” he said, “no doubt succumb
Better to be struck mute and dumb 
in mind and soul and so in sum 
       than risk a thought that strays. 

“And you Dusame, how do you fit 
into this frame you never quit 
so calmly do you peer and sit 
       extracting our misdeeds” 

“I sit unscathed as I can do no
wrong or right and thus I grow 
no further than my frame and so
I sit and dream of things I know
       not of and wish I did 
                                    --a little.” 
       sighed the sad Dusame.

On bended knee he took her hand
and gave her tears that rifely ran 
and seared her skin like desert sand,
       blinding her to see. 

Her eyes grew wide, her hair died lank 
she gazed at him once more and sank 
her head onto the mirror’s bank 
       and gazed at it no more. 

He lifted her and turned her face;, 
unseeing kissed her eyes with haste 
and set her back onto the chaste 
     smooth surface of the mirror.

He sheathed his blade, and set to go, 
his body limp and hanging low, 
in desolation for a foe 
who was not--And, will never know 
that he saw her more clearly thro’ 
       the eye glass of Dusame. 

And yet he steals her stony gaze 
cast from the glass to surely raze
The look, once seen, it always stays 
      the mortal called Dusame. 

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